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The Center mounts an average of nine exhibits per year, open to the public without charge, <br />featuring the works of Minnesota and regional professional artists. Attendance at these exhibits <br />has increased annually. Community outreach has also increased in recent years. MCA has been <br />collaborating with C.O.N.E.C.T. (Community Organizations Networking Compassionately <br />Together) to provide summer arts camp experiences and seven-week courses in metal working, <br />jewelry making and ceramics for high-risk families and children from low-income <br />neighborhoods. MCA hosts Positive Strokes, a community arts festival for physically- <br />challenged children and adults. MCA collaborates with more than two dozen schools in the <br />seven-county area and sponsors a juried exhibition of student work. MCA also hosts the Twin <br />Cities Suburban Arts Conference which features 150 outstanding arts students and their teachers <br />from fourteen high schools and includes workshops, demonstrations and seihinars. Other recent <br />outreach partners include St. David’s Child Development and Family Services, The Minneapolis <br />Institute of Arts, Little Brothers-Friends of the Elderly, Orono Community Education, The <br />Institute of Renewing Leadership at the University of St. Thomas and the Radisson Hotel Corp. <br />For programs that require fees, MCA has a scholarship fund so programs are accessible <br />regardless of ability to pay. <br />Unlike most community art centers, MCA receives no city or county funding. The budget for the <br />1999-2000 fiscal year (6/30) was $833,600, and 78% of the income was the result of earned <br />revenues, an exceptionally high ratio for an arts organization. For the past 11 years, MCA has <br />operated with balanced budgets and is expected to continue to do so. <br />After two years of thorough analysis by architects and construction professionals, including <br />Architectural Alliance and M. A. Mortenson Company, it was determined that the direct and <br />contingent costs of remodeling and enlarging the existing MCA building would likely be as <br />costly as new construction. In addition, remodeling would require closing the Center for at least <br />a year (or partially closing for two years, if the remodeling was staged). Fortunately,’ MCA has <br />sufficient land (over five acres) that allows for construction of a new facility without interruption <br />of classes in our current facility, thus preventing the likely loss of students and/or faculty. <br />Currently envisioned is a dramatic new arts center of 30,000 sq. ft. as compared to our emrent <br />22,000 sq. ft. The building is being designed by James Dayton, the architect who recently <br />designed the Northern Clay Center. The new building will increase useable space by at least <br />50% and be far more flexible than our current elementary school building. Of particular <br />importance will be vastly expanded and improved exhibition spaces with adequate climate and <br />security controls. The Center draws over 25,000 visitors a year to its exhibits, but the quality of <br />its exhibits has been limited because of a lack of climate and security controls in the galleries. <br />Despite the increase in the size of the building, architects and engineers predict, by virtue of the <br />building design and systems, that monthly operating and maintenance costs will decline by an <br />estimated 20%. <br />MCA has a professional faculty and staff, a strong and growing constituency and a Board that is <br />increasingly capable, responsible and personally invested in the Crossroads Campaign. A <br />Campaign Committee has been at work since the fall of 1998; $4,028,963 has been pledged as of <br />8/23/00; and payments of over $ 1 .9 million have been received on existing pledges. Included is <br />a $200,000 pledge by an anonymous donor, contingent upon MCA reaching $4.8 million. MCA <br />has identified additional major gift prospects totaling $2.5 million and expects decisions from <br />most by year-end. <br />J