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I- ...1w V.' U' <br />proud self-image lingers on ho <br />8 <br />Now the West Was Won— <br />and I,ost <br />A visual and anecdotal saga, from the <br />Louisiana Purchase through James Watt <br />38 <br />The Wild West Will Never Die <br />Hut it sure is getting harder to find <br />BYTONYHILLRBMAN <br />PHOTOOWHY BY r <br />WILLIAM ALBERT ALLARD <br />50 HIRE <br />The Man with the Sedge <br />In the bad old days, a sheriff could get <br />away with murder <br />BYNAOMICHINER <br />PHO70DRAPHY BYJAY DICKMAN <br />80 1 <br />Gunsmoko and Mirrors <br />The western movie) capitalist tool <br />BY RICHARD SLOTKIN <br />70 <br />One Hundred Years of Solitude <br />Medicine man Arvol Looking Horse <br />believes a spiritual reawakening is at hand <br />BY STEVa MAR5H _ <br />PHOTOORAPHY BYKENNETHJAROCKE <br />78 <br />True [crit <br />Let us now praise western women, <br />past and present <br />BYMBussASTANToN <br />PHOTOORAPHY BY J OR MCNALLY <br />88 <br />Just One More <br />COVER PHOTOORAPHBY WILLIAM ALBERT ALLARD <br />STAFF FOR THIS ISSUE <br />Art Director: Nora Sheehan <br />Picture Edltort Lynne Jaeger Weinstein <br />Coordinating Editor. Melissa 0, Stanton <br />Writers: Naomi Cutner, Brad Darrach, <br />Tony Hillerman, Steve Marsh, <br />Eleanor N, Schwartz, Richard Slotkin <br />Assistant Picture Editort <br />Teresa Crawford <br />Art Assistants Tomas Cavallaro <br />Reporters Jack Hayes <br />Copy Chief: Robert Andreas <br />And all members of the LIFE Copy <br />and Production departments <br />1 <br />