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LeSurai Associates, Artisrs Bio§raphy Stephen Cjertson
<br />Blhliofuraphy
<br />Publicatioits
<br />Tainting Classical StiD Lifes" by Kurt Anderson, The Artists Magazine, 1990;
<br />"The Academ ic Dialogue by Jim Billings, Arp, 1990;
<br />"The Academic Dialogue" by Tim Iverson, Ezh Cat., 1990,
<br />"Postmodern Painting", The Utne Rezier, July/August, 1989,
<br />"Ajnencan References: A Survey of Leading Contemporanes", iVTw's Wno
<br />in American Art; « i
<br />"An Inter%-iew with Stephen Cjertson" by Kurt Anderson, Classuuil Realism
<br />Quarterly, Fall 19SS; »• i./- ico-i
<br />Sixty-Fourth Nanorai April Salon, Springville MuKum of Art, ExhCat , 1983;
<br />Sixty-Third Apnl Salon, Spnngville Museum of Art, Exh. Cat., 198/;
<br />Stephen Cjertson, Creating a Joyous Beaut\-" by Carole Katchen, Painting
<br />faces 6^ Figures. Watson Cuptill, 1986; e
<br />"Church Painting Unveiled by Doug Trouten, Tmn Cities Christian, Sept. 1986;
<br />"Classic Artist Puts Beliefs on Canvas" by John Camp, St. Paul Pioneer Press.
<br />November 4, 1984,
<br />"Stephen Cjertson" by .■\nnette Hathaway, A.mer-.can Artist, October 1983,
<br />"I Like the Stuff this Artist if Produang' by Dave Wood, Grit, Sept., 1983;
<br />"You Just Don t Dash Otf a Work of Classical Realism Overnight" by Dave
<br />Wood, Minneapolis Start 6r Tribune. July 30, 1933;
<br />Classical REalism; The Other Twentieth Gentry, Exh. Cat, 1932-83;
<br />"Is It Radical to Paint Like Rembrandt?" by Carol Pine, Ixin Cities
<br />July 1983;
<br />The Boston Painters - .Amenca's Premier Realists, Exh.Cat., 1983.
<br />"Perception and Beautv", American Arts Quarterly, Winter 1990;
<br />'Truth to Nature ", American Arts Quarterly, Fall 1989;
<br />"The Foundation of Harmony", American Arts Quarterly, Summer 1989;
<br />"Art and the Sacred", American Arts Quarterly, Spring 1989;
<br />"The Necessity of Excellence", Realism in Revolution, Taylor Publishing, 1985;
<br />"Frontiers of Enchantment - The Outdoor Studies of William R. Leigh",
<br />Classical Realism Quarterly, January 1991;
<br />"In Response to the Man with the Camera", Classical Realism Quarterly, Jan. 1991;
<br />"Hippolyte Handnn - A Personal Appreciation", Classical Realism Quarterly,
<br />Spring 1987;
<br />"Cerome" (book review). Classical Realism Quarterly, Spring 1987;
<br />Associate Editor, Classical Realism Quarterly, author: ’The Noblest Art", Classical
<br />Realism Quarterly, Fall, 1985.
<br />Prints WINTER TABLE, limited edition;
<br />PEACE, BE STILL, open edition;
<br />MARANATHA!, limited edition.
<br />CARNA'nONS AND FRUIT, limited edition;
<br />THE RECORDER LESSON, limited ediHon;
<br />Media Oil, Pencil, Chalk.
<br />Address 3855 Colfax Avenue North, Minneapolis, MN 55412.
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