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I K <K.'* .V <br />V*.i: ' <br />: t*i“- '.irt^Ji^'.::.^' <br />r-fr-sc r *♦! <br />■^' V <br />Mtke 1 i'»»r *4 M*i <br />1 r^e tu'v>*it* <br />l•«4k • hrrak fmtn patnunc- Hr^ »nw <4 (hrer uwinaitirs «i llir «hiM4. iHboio b%m <br />I. .' %-:■ ' <br />i r^-ijs*. 1^'Msm-M <br />f in <br />■ <br />V <br />‘ 4^ <br />TTunl»ear i^udffit Mark Vison^nilir worked on an n4 punCinf. ukuif thr meelmd. Hebm. <br />«mie iM the p4^er *-*w> lued b% bcfmnms «udrnu. 1 rainmt hcipm aifh caa.% and pnawlk tn poriraitk and <br />iftu£inark painune^ •I'hnian b« 1 raic L»mc <br />1 t> <br />4' f <br />Atelier <br />I n>wn im^r I % <br />. %• 'Ja^ j umr sa lie.vKnir <br />♦T'. (lav I tram >onwthin£ -ktui Kim Kraik <a <br />H ioiuiia a rat s in hrr tourih vear a> w oi > (uii umr <br />svjaerns >hr aojiimi other trtt scnb ^is ta^-ae Atet»*«f <br />tr'^u^ur sh^ said <br />‘!T)r% gave me avuenmenb* sr** J and ih^k d vruqyp <br />but ’Jn*v (lidr t vach me hi'u •- jncMve the vwmirr <br />T'aminf tJe«lrl^ auh >tiil We rnar/nai Mieunea pnmwwdtnd <br />tu Oil aiiurs portraits and irrutiLirurk sfciirK> a hen die <br />master thuuts die srucieni i5 ma<?\ <br />!* fjit- (iiM-ipidie and siuiis s.4iii Slese l^-vin. who % <br />t»*er i/ivojv«j with ihe schoo* since :i ticmed di tlaceisjflr nine <br />%e.*m ago fipst as a student and now as an ui»trurtar 'be re <br />g *. in£ mem the u*us to go on and dc wrutesrr fund at patming <br />ihev rnoae 1' ' Use a musician tearurui die wana* <br />a : me heart m the training hmiues regular criigues irvwn <br />the instructor i> learning to use me sight sire technKiue fhe <br />>wr «ei i 'iikwerv jw-u* a {eTsi'n afxJ the canvas are set <br />i. iehsMde "Pi** .irtisi !»iamis several feet aw-iv mentailv <br />re leu uie ''orrmeituin -letw ..*rwan3 and manw the canvas <br />TV pra-es> r»*jjeafe'i '^ur ires** times <br />' jdPf'.L' even’oa..v .earr. Ui craft rr.agdvan paicldul*' <br />wr;- r r*M**<»r-jt»i\ h*t»:ct ,r.a^ r.arv '^eunmano <br />of /-!.•*. ar»* n**! i,reO he!«»re th«* wotk (wiirieij and d can Lake <br />Tr. 'rv.ns or •.►•.in- *-• 'inush <br />^ verMMTg cLse u* something vcai lUM set up and do said <br />14- . r T''. ' ■-►rrie'.hir.g ci*mpieteiv idterrm ^ uu nave to do <br />•♦-tvarate <br />'''■♦• <'u«L«» ar»*a •»?' ‘re *op r\cr*>inr • omrTiU.'utv <br />i enter u* i luttemf wun brushes props rags and the other <br />pfci:*jpherr»ii.4 •: ’ re .irt .^nd the >rrej ot in twimt I’rafers <br />i i-mpieted w >rk> h.ing on neariv even waii and nest to <br />5.u*Tems easets <br />>WTie woriLs in pmgreNS nang apsitje cfown <br />^ Ht get to the pi'in where \<»u ^ar. t rr.ase j cntiCAl nidg <br />rr.er.i it ^ -wj :arriui.ir s.iici Iwvin >» vou rung it u(»tde <br />cown <e .-■w a: ;t .n me mirmr <br />A.m the pianneo remodeung -"M Kveeunor vommumrv i enter <br />into eiemmiarv scnuoi cLas&n»m> '-he au'iier w uj tuM> iLs <br />home i/us summer A search i> under wav lor a new buiiding. <br />atid neat m<xiih a show wul feature 'he wonu ol sfiioents in- <br />s'dTM ’ors arvJ others who pa.rt m *r:e stvie »h Academic Im <br />presiMufusm ’he stue <ii jrt laugnt in the aieiier <br />•^e re gmng u» h.ive ’die largest snow ever heid oi Academic <br />l-r.pressionism we ihinK in the I niied :^Latesi said U'.sueur <br />Who traces ner training as an artist cuck aioc.g a masi«»r to <br />pupil line that eveniuadv ieails u> ‘^'rervh p.nnier Jacuues <br />l>jvn1 ITgLHCh <br />There s c avocal music and rock n roil she said In our <br />(.■uiture Doth are c»insidered vaiuao.e <br />’•Se re modem penr • wiin mouem ideas Hie stones I want <br />'a> Uik afjuut 1 .’eei c. .i nesi he expressed through realism <br />(\tt}ler?'.iM*r3n Moriits or Academic /mpressionists ’ »ii) he <br />held trvrr tn % pw *na .sundav Vav 1^17. on the <br />third fionr at tlxcHsior Camrnu/vt\ L t»nier .Aomissiun ts trtf <br />% .-irtrn <br />; •# <br />r <br />/ <br />r-r r <br />I eUr Haninh *4 bsertuor hm b*m a uudr*M l« hvf «carv. M»e <br />In Ltrrtwir from Ohio lo Uudv ai the w-hooi. iPtWo b* t mg* l-as«g»