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<br />PAGE F20 • STAR TRIBUNE
<br />ARCHITECTURE
<br />SUNDAY, SEPTEMBER 16.2001
<br />Guest house may prove to be a movable feast for Walker Art Center's sculpture garden.
<br />Gehry, Johnson houses may part company
<br />Star Tribune photos by Stormi Greener
<br />Frank Gehry's guest house signaled his turn to architecture as a collection of distinct forms. The squared -off cone is the central gathering
<br />spot, the brick cube with the chimney holds the cozy inglenook and the limestone hump on the left and metal -covered shed on the right hold
<br />two bedrooms.
<br />By Linda Mack
<br />Star Tribune Staff Writer
<br />0 n high ground
<br />overlooking Lake
<br />Minnetonka stands
<br />an architectural
<br />duo well-known only to aficio-
<br />nados. A 1952 classic modern-
<br />ist house by Philip Johnson,
<br />architect of the IDS Center and
<br />other U.S. landmarks, sits
<br />within view of a 1987 guest
<br />house designed by the now
<br />world-famous Frank Gehry.
<br />Johnson designed the Mies-
<br />ian brick -and -glass house
<br />soon after he earned interna-
<br />tional acclaim for his own
<br />Glass House in New Canaan,
<br />Conn. Gehry designed the
<br />sculptural guest house just as
<br />Walker Art Center's 1986 retro-
<br />spective brought him to broad
<br />attention. The six -room, six -
<br />shape house also signaled
<br />Gehry's turn toward architec-
<br />e as a collection of disparate
<br />orrNs.
<br />Quietly owned by art collec-
<br />tors and philanthropists Mike
<br />and Penny Winton until this
<br />summer, the houses and sur-
<br />rounding 11 -acre property
<br />have been bought by Minne-
<br />apolis developer Kirt Wood-
<br />house.
<br />"It was an expensive and
<br />difficult decision," said Wood-
<br />house, who just finished build-
<br />ing a lakefront house nearby.
<br />"I didn't know what I wanted
<br />to do with it. And I still don't."
<br />But he's thinking of moving
<br />the guest house to a more pub-
<br />lic location.
<br />"It's been here for 14 years,
<br />and very few people have seen
<br />it," he said as he sat on the
<br />Johnson house's understated
<br />gravel terrace overlooking the
<br />distant lake. "If it were at the
<br />Walker or another public
<br />place, thousands of people
<br />could see it."
<br />It's an idea the Winton
<br />have embraced. They put re-
<br />strictions on changing or de-
<br />molishing the houses to pre-
<br />vent some-
<br />one from
<br />buying the
<br />. propertyjust
<br />1for the land,
<br />Penny Win-
<br />ton said. But
<br />moving it is a
<br />very creative
<br />Minneapolis idea, "if it can
<br />deti�-dGpev KCyt be -properly
<br />Woodhouse sited," she
<br />recently pur- said. "It's an
<br />chased the early work of
<br />Winton prop- an architect
<br />erty in Orono. who's just
<br />reaching such
<br />levels of world domination
<br />that it will have historical
<br />importance."
<br />One possible location is the
<br />Walker's existing or future ex-
<br />panded sculpture garden. Wal -
<br />ker director Kathy Halbreich
<br />called the Winton guest house
<br />"an extremely influential work
<br />of architecture which is in su-
<br />perb condition," and said the
<br />Walker "would be interested in
<br />helping to secure its place in
<br />architectural history, provid-
<br />ing it can be safely moved and
<br />its future care could be en-
<br />dowed."
<br />Woodhouse said he plans
<br />to explore other possibilities
<br />such as the nearby Minneton-
<br />ka Center for the Arts, the
<br />Minneapolis Institute of Arts
<br />or a private but visible site like
<br />the General Mills campus on
<br />Interstate Hwy. 394.
<br />A pricey proposition
<br />Moving the Gehry house is
<br />a pricey proposition. "It would
<br />be six figures," Woodhouse
<br />said. "I'm in the process of
<br />finding out. But I want it to be
<br />preserved and also have it in
<br />the public domain."
<br />It's also possible the guest
<br />house could be sold and re-
<br />main on its original site.
<br />Woodhouse has divided the
<br />11 -acre property into three
<br />lots: one for the Johnson
<br />house, another for the Gehry
<br />house or a future new house,
<br />and an open lot. In the short
<br />term, he plans to rent the
<br />houses for at least a year.
<br />The Wintons moved into
<br />Designers to speak
<br />Two candidates to replace William Morrish as
<br />director of the Design Center of the American
<br />Urban Landscape will give lectures in upcoming
<br />weeks. Ann Forsyth, associate professor of urban
<br />planning at the Harvard Design School and for-
<br />mer co-director of the Urban Places Project at the
<br />University of Massachusetts in Amherst, will
<br />speak on Sept. 24. Todd Bressi, executive director
<br />of the journal "Places," who teaches at the Uni-
<br />Gilbert lecture
<br />Dr. Barbara Christen will speak on architect Cass
<br />Gilbert's master plans for the Minnesota State
<br />Capitol and the University of Minnesota at 7 p.m.
<br />Sept. 25 at the University Club, 420 Summit Av.,
<br />Linda Mack
<br />Gehry's 1987
<br />guesthouse
<br />contrasts with
<br />the classic
<br />modernist
<br />1952 house
<br />by Philip John-
<br />son(seen in
<br />background).
<br />Gehry
<br />used the same
<br />type of brick
<br />to help tie the
<br />two together.
<br />versity of Pennsylvania and Pratt Institute, will
<br />speak on Oct. 8. Both talks will be at 5:30 p.m. at
<br />the Bell Museum Auditorium, 10 Church St. S.E.,
<br />Minneapolis.
<br />St. Paul. Christen is co-editor of a recent collec-
<br />tion of essays, "Cass Gilbert, Life and Work: Archi-
<br />tect of the Public Domain." Call Jean Velleu at
<br />651-298-1127 for more information.
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<br />the Johnson house in 1964,
<br />soon after they had finished
<br />building a house designed by
<br />Ralph Rapson. They fell in love
<br />with the pristine, powerful
<br />house, which had been de-
<br />signed for former Minneapolis
<br />Institute of Arts curator Rich-
<br />ard Davis.
<br />"It was always a gentle
<br />place to live in," Winton said.
<br />"It made me respect propor-
<br />tion. That inner garden [an in-
<br />terior open-air atrium] was al-
<br />ways comforting in the winter.
<br />It surprisingly well survived
<br />five children."
<br />After the children had chil-
<br />dren of their own the Winton
<br />wanted more space, and they
<br />approached Johnson about an
<br />addition. "He was very bored
<br />with the idea," Winton said.
<br />They read a New York Times
<br />Inside the guest house, the cone creates an intimate yet soaring space
<br />with windows and a glass ceiling, giving a heady view of the sky.
<br />Magazine article on Gehry and
<br />thought his innovative spirit
<br />might mesh well with John-
<br />son's.
<br />The rectilinear and strictly
<br />proportioned Johnson house
<br />became a foil for Gehry's intri-
<br />cately designed guest house, a
<br />village -like collection of
<br />shapes: a tall metal -covered
<br />cone, a curved limestone
<br />hump, a smaller metal -clad
<br />shed, a brick cube that match-
<br />es the Johnson house, a garage
<br />covered in Finnish plywood
<br />and an aluminum -covered
<br />cube poking up above the ga-
<br />rage.
<br />The house won House and
<br />Garden magazine's design
<br />award for 1987. Martin Filler,
<br />author of the article, predicted
<br />that Gehry's future public
<br />work would build on the bril-
<br />liance of the house. Given
<br />Gehry's Guggenheim Museum
<br />in Bilbao, Disney Concert Hall
<br />in Los Angeles and other land-
<br />marks under way, the remark'
<br />— and the Winton guest house
<br />— were prophetic. .
<br />— Linda Mack is at
<br />lmack@startribune.com.
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