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rZ <br />PAGE F20 • STAR TRIBUNE <br />ARCHITECTURE <br />SUNDAY, SEPTEMBER 16.2001 <br />Guest house may prove to be a movable feast for Walker Art Center's sculpture garden. <br />Gehry, Johnson houses may part company <br />Star Tribune photos by Stormi Greener <br />Frank Gehry's guest house signaled his turn to architecture as a collection of distinct forms. The squared -off cone is the central gathering <br />spot, the brick cube with the chimney holds the cozy inglenook and the limestone hump on the left and metal -covered shed on the right hold <br />two bedrooms. <br />By Linda Mack <br />Star Tribune Staff Writer <br />0 n high ground <br />overlooking Lake <br />Minnetonka stands <br />an architectural <br />duo well-known only to aficio- <br />nados. A 1952 classic modern- <br />ist house by Philip Johnson, <br />architect of the IDS Center and <br />other U.S. landmarks, sits <br />within view of a 1987 guest <br />house designed by the now <br />world-famous Frank Gehry. <br />Johnson designed the Mies- <br />ian brick -and -glass house <br />soon after he earned interna- <br />tional acclaim for his own <br />Glass House in New Canaan, <br />Conn. Gehry designed the <br />sculptural guest house just as <br />Walker Art Center's 1986 retro- <br />spective brought him to broad <br />attention. The six -room, six - <br />shape house also signaled <br />Gehry's turn toward architec- <br />e as a collection of disparate <br />orrNs. <br />Quietly owned by art collec- <br />tors and philanthropists Mike <br />and Penny Winton until this <br />summer, the houses and sur- <br />rounding 11 -acre property <br />have been bought by Minne- <br />apolis developer Kirt Wood- <br />house. <br />"It was an expensive and <br />difficult decision," said Wood- <br />house, who just finished build- <br />ing a lakefront house nearby. <br />"I didn't know what I wanted <br />to do with it. And I still don't." <br />But he's thinking of moving <br />the guest house to a more pub- <br />lic location. <br />"It's been here for 14 years, <br />and very few people have seen <br />it," he said as he sat on the <br />Johnson house's understated <br />gravel terrace overlooking the <br />distant lake. "If it were at the <br />Walker or another public <br />place, thousands of people <br />could see it." <br />It's an idea the Winton <br />have embraced. They put re- <br />strictions on changing or de- <br />molishing the houses to pre- <br />vent some- <br />one from <br />buying the <br />. propertyjust <br />1for the land, <br />Penny Win- <br />ton said. But <br />moving it is a <br />very creative <br />Minneapolis idea, "if it can <br />deti�-dGpev KCyt be -properly <br />Woodhouse sited," she <br />recently pur- said. "It's an <br />chased the early work of <br />Winton prop- an architect <br />erty in Orono. who's just <br />reaching such <br />levels of world domination <br />that it will have historical <br />importance." <br />One possible location is the <br />Walker's existing or future ex- <br />panded sculpture garden. Wal - <br />ker director Kathy Halbreich <br />called the Winton guest house <br />"an extremely influential work <br />of architecture which is in su- <br />perb condition," and said the <br />Walker "would be interested in <br />helping to secure its place in <br />architectural history, provid- <br />ing it can be safely moved and <br />its future care could be en- <br />dowed." <br />Woodhouse said he plans <br />to explore other possibilities <br />such as the nearby Minneton- <br />ka Center for the Arts, the <br />Minneapolis Institute of Arts <br />or a private but visible site like <br />the General Mills campus on <br />Interstate Hwy. 394. <br />A pricey proposition <br />Moving the Gehry house is <br />a pricey proposition. "It would <br />be six figures," Woodhouse <br />said. "I'm in the process of <br />finding out. But I want it to be <br />preserved and also have it in <br />the public domain." <br />It's also possible the guest <br />house could be sold and re- <br />main on its original site. <br />Woodhouse has divided the <br />11 -acre property into three <br />lots: one for the Johnson <br />house, another for the Gehry <br />house or a future new house, <br />and an open lot. In the short <br />term, he plans to rent the <br />houses for at least a year. <br />The Wintons moved into <br />Designers to speak <br />Two candidates to replace William Morrish as <br />director of the Design Center of the American <br />Urban Landscape will give lectures in upcoming <br />weeks. Ann Forsyth, associate professor of urban <br />planning at the Harvard Design School and for- <br />mer co-director of the Urban Places Project at the <br />University of Massachusetts in Amherst, will <br />speak on Sept. 24. Todd Bressi, executive director <br />of the journal "Places," who teaches at the Uni- <br />Gilbert lecture <br />Dr. Barbara Christen will speak on architect Cass <br />Gilbert's master plans for the Minnesota State <br />Capitol and the University of Minnesota at 7 p.m. <br />Sept. 25 at the University Club, 420 Summit Av., <br />Linda Mack <br />Gehry's 1987 <br />guesthouse <br />contrasts with <br />the classic <br />modernist <br />1952 house <br />by Philip John- <br />son(seen in <br />background). <br />Gehry <br />used the same <br />type of brick <br />to help tie the <br />two together. <br />versity of Pennsylvania and Pratt Institute, will <br />speak on Oct. 8. Both talks will be at 5:30 p.m. at <br />the Bell Museum Auditorium, 10 Church St. S.E., <br />Minneapolis. <br />St. Paul. Christen is co-editor of a recent collec- <br />tion of essays, "Cass Gilbert, Life and Work: Archi- <br />tect of the Public Domain." Call Jean Velleu at <br />651-298-1127 for more information. <br />bHOME & GARDEN SHOWS" <br />FALL EDITION <br />October 12 - 14, 2001 Minneapolis Convention Center <br />Shop the NKBA Garage Sale & find huge savings on kitchen & bath components! <br />the Johnson house in 1964, <br />soon after they had finished <br />building a house designed by <br />Ralph Rapson. They fell in love <br />with the pristine, powerful <br />house, which had been de- <br />signed for former Minneapolis <br />Institute of Arts curator Rich- <br />ard Davis. <br />"It was always a gentle <br />place to live in," Winton said. <br />"It made me respect propor- <br />tion. That inner garden [an in- <br />terior open-air atrium] was al- <br />ways comforting in the winter. <br />It surprisingly well survived <br />five children." <br />After the children had chil- <br />dren of their own the Winton <br />wanted more space, and they <br />approached Johnson about an <br />addition. "He was very bored <br />with the idea," Winton said. <br />They read a New York Times <br />Inside the guest house, the cone creates an intimate yet soaring space <br />with windows and a glass ceiling, giving a heady view of the sky. <br />Magazine article on Gehry and <br />thought his innovative spirit <br />might mesh well with John- <br />son's. <br />The rectilinear and strictly <br />proportioned Johnson house <br />became a foil for Gehry's intri- <br />cately designed guest house, a <br />village -like collection of <br />shapes: a tall metal -covered <br />cone, a curved limestone <br />hump, a smaller metal -clad <br />shed, a brick cube that match- <br />es the Johnson house, a garage <br />covered in Finnish plywood <br />and an aluminum -covered <br />cube poking up above the ga- <br />rage. <br />The house won House and <br />Garden magazine's design <br />award for 1987. Martin Filler, <br />author of the article, predicted <br />that Gehry's future public <br />work would build on the bril- <br />liance of the house. Given <br />Gehry's Guggenheim Museum <br />in Bilbao, Disney Concert Hall <br />in Los Angeles and other land- <br />marks under way, the remark' <br />— and the Winton guest house <br />— were prophetic. . <br />— Linda Mack is at <br />lmack@startribune.com. <br />(NOT BAD FOR A SUNDAY.) <br />More jobs and career opportunities than ever before. <br />REGISTER TO WIN A $2500 CAREER WARDROBE. <br />Look for the contest entry form in the Employment Classified section for details. <br />StarTribune <br />www.startribune.com <br />